Blue is the warmest color love scene movie#

Kechiche sketches this out by having Emma bring AdГЁle around for dinner with herВ mum and stepdad.

EmmaВ is always the senior, dominant partner: better educated, more worldlyВ and higher up the social scale. When the love affair starts, Emma has blue hair as it proceeds, the blue colour grows out. The sequence certainly strikes me as uncompromising and less exploitative than any smug softcore romcom or mainstream thriller in which women's implied sexual availability is casually served up as part of the entertainment, although I will concede one tiny moment of misjudgment: when Emma is paintingВ a nude of AdГЁle (unfortunately like Leo and Kate in Titanic) and the camera travels up her naked body. It is no more authentic orВ inauthentic than any sex scene, or washing-up scene, or checking-in-at-the-airport scene. The second charge, that it is exploitative or inauthentic, isВ also naive. The romantic spark between them is a lightning bolt.ДЄs for the much discussed sex scene, I predicted earlier this year that some sophisticates would claim to findВ it 'boring'. A good-looking boy who likes her is rewarded with a brief relationship, but he is merely John the Baptist to the imminent Christ: Emma, played by SГ©ydoux, a twentysomething art student. At the outset, Exarchopoulos's AdГЁle is a shy, smart high-schooler who finds that sheВ is lonely and tentative in her social life. AdГЁle, played by Exarchopoulos, is the sympathetic centre of the story, a schoolgirl at the beginning and a teacher by the end: the two chapters ofВ innocence and experience. Its original French title is perhaps a better guide: La Vie d'AdГЁle Chapitres 1 et 2. This drama was never supposed to celebrate the equality of their romantic good faith. It no longerВ looks melodramatic, but rather the icy and violent culmination of a hitherto invisible disconnect between the two women.

Blue is the warmest color love scene movie#

But I think that the impact of the movie increases with a second viewing, and my own objections aboutВ the lovers' ferocious 'confrontation' scene have been answered. Led by this internal dissent, the film's critical tide may be slowing, if not turning. Seydoux and Exarchopoulos have since said he was oppressive, intrusive, and even tyrannical in the demands he made, especially in the extended explicit sex scene, which took fully 10В days toВ shoot. As for Kechiche, his feelings about that last-minute requirement to share the Palme with his two actors can only be guessed at вЂ“ and the same goes for their feelings about his feelings. Julie Maroh, who wrote the original graphic novel, dismissed Kechiche's adaptation as a straight person's fantasy of gay love.